Some say art offers a higher quality of life. in real terms… life without art has no quality..

categorithmic

ANGELMORPH, No Angels in Paradise

Angelmorph1Angelmorph6Angelmorph7Angelmorph8Angelmorph9Angelmorph10Angelmorph11Angelmorph15

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Images de l’Epoque Révolue

Epiphany_in_the_Garden

Epiphany in the Garden

Patience_et_Rage

Patience et Rage

Young-Cimabue-Contemplating-Upon-an-Exotic-Bird

Young Cimabue Contemplating Upon an Exotic Bird

La_Grammaire_Tronc_Pente_de_l_Indice_In_Espéré

La_Grammaire Tronc Pente de l’Indice (In) Espéré

Tour_Fulcanelli

Tour Fulcanelli

Eat the Book of Life and Turn to Stone like a Crumbling Temple

Eat the Book of Life and Turn to Stone like a Crumbling Temple

Lucrécia Pense à la Pensée

Lucrécia Pense à la Pensée

Response of the Gods-detail

Response of the Gods

Works on paper


Images de l’Epoque Révolue

Descent From The Cross of Straws-w

Descent from the Cross of Straw

Displacement displaced is the key-w

Displaced Displacement is the Key

Shall I bite the Coin that Feeds Me-w

Shall I Bite tThe Coin That Feeds Me?

Surprising Results-w

Surprising Result

The-Four-Horses-and -Their-Opium-Eater-Avenging-Riders-w

The-Four-Horses-and -Their-Opium-Eater-Avenging-Riders

J’Arrive avant  la Fin du Spectacle de la Fin dès  le Commencement

Arriva Allo Spectacolo-Della-Fine J’Arrive avant la Fin du Spectacle de la Fin dès le Commencement

Quelque-Part-Dans-l-Univers-Poétique--La-Bulle-de-Toutes-Les-Civilisations-Apprêtez-A-Exploser-w1

Quelque-Part-Dans-l-Univers-Poétique–La-Bulle-de-Toutes-Les-Civilisations-S’ Apprête-A-Exploser

Letmetellyouyourfuture-w

Let me tell you your future

LaDebacle avant L-Horizon-w

La Débacle Avant L’Horizon

Atterrissage-de-l-un-des-Anges-Révélateurs-invité-par-la-Prophètesse-dans-le-Capharnaüm-Général-des-Consommateurs-w1.

Atterrissage-de-l-un-des-Anges-Révélateurs-invité-par-la-Prophètesse-dans-le-Capharnaüm-Général-des-Consommateurs

Before-The-Tempest-02-w

Before-The Tempest from the Deep

DeAlchemia-Katabasis-de-Bohemia-w

De Alchemia-Katabasis-de-Bohemia

Horse-Dragons-Of-The-Apocalypse-Follow-The-Butterfly-s-Wing-w1

Horse-Dragons-Of-The-Apocalypse-Follow-The-Butterfly-s-Wing

InfantArtemisiaCrossingTheAmDuat-w

Infant Artemisia Crossing The AmDuat


Improbable Discoveries 2

Compus Vanitate-w

Compus Vanitate

Descent-versionx7-w

Descent-version7x

La Sacres Famille et L' Invention du péché originel-w

La Sacres Famille et L’ Invention du péché originel

Lune et Soleil en Temps Parallèles-w

Lune et Soleil en Temps parallèles

Saturday-Night-Feaver,Staring Michael and Jacob-w

Saturday-Night-Feaver,Staring Michael and Jacob

The Descent,versionx1-w

The Descent,versionx1

The Descent,versionx5-w

The Descent,versionx5

The Descent,versionx6-w

The Descent,versionx6

The descent04-w

The descent04

StGeorge and the dragon2

St George and the Dragon 2

Actaon Unveiled-w

Actaon Unveiled

The Four Cardinal Sins. "Something's Wrong"-w

The Four Cardinal Sins. “Something’s Wrong”1

The centre of the Circle is What i am Looking At-w

The Centre of the Circle is What i am Looking At

Regina Dolorosa-w

Regina Dolorosa

Ousia Nihilis Pondering-w

Ousia Nihilis Pondering

Neptunar the Medusor takes the Family for a last walk-w

Neptunar the Medusor takes the Family for a last walk

La Peche au Dragon ne mene Nul Part-w

La Pêche au Dragon ne mène Nul Part


NEW IMPROBABLE DISCOVERIES

A few parchments had been left in a dilapidated house on the edge of Mont Victoire some years ago. I opened a trunk and rescued those that had not rotted away. They will sojourn, for the remainder of the time allotted to this particular field of existence, on this link. Soon after the expedient disposal of the unnatural network, these images will be transferred to my personal hall of records among works I cherish, by other artists some of whom still walk the earth today. I cannot ascertain the identity of the author who may in any case wish to remain anonymous. I detected traces of a signature, and it appeared to say Astorisimus of whom I have never heard; that may be an anagram or an invention.

The works now presented summarize a momentary gaze at a realm that we imagine to be permanent. They offer an occasional humorous glimpse into the psyche of one of its partial dissipating inhabitants. More so, a pervasive irony mixed with a vague sense of forbidding passes through me as I look into the deep layers of the consciousness that once produced these drawings while losing my own sense of presence, lost indeed in the intricate games of light, line, shadows, colour, form and all manners of devices used by the artist in his attempt to invoke his own spirit. Some of the works are mere sketches, yet none fall into the banality of common experience. They seem to sustain a sphere that does no longer fully partake of the world, as we know it, a world that in reality is no more than a phantasm in which souls have to find their way to that which is real and will seek signs within the language of art as well as within the language of the heart.

I therefore, without further ado, let you savour these remnants of an unknown time and place: Adam in the Sleep of Prebiosis; Ancient of Days Giving up the Ghost; Ecclesiastic Thief Running off with the Supposed Philosophical Egg; Phantasms of an Illusory Being, Nativity of Numinon Beyond The World of Falsehood; Mirror-Mary Epiphany; The Twisted Truth of The Immortality Dilemma; Hierosgamos before Separation; Hermes Carrying Wounded Eros on The Draco-Sapienta; Flower-Dance of Forgetfulness; She Does not want to Play this Game; L’apparence de la Viellesse révèle Un Végétal Inchangeable à l’apparence Humaine; Lion-Cow Leading Lost Pilgrims; Three Legends Watching over the Dissolution of the Cosmic Brain-Unexpected call, circa 201… et deux esquisses.

I bid you farewell.

 

Three Legends Watching over the Dissolution of the Cosmic Brain-Unexpected call, circa 201…three-legends-watching-over-the-dissolution-of-the-cosmic-brain-unexpected-call-circa-201-w

Adam in the Sleep of Prebiosisadam-in-the-sleep-of-prebiosis-w

Ancient of Days Giving up the Ghostancient-of-days-giving-up-the-ghost-w

Ecclesiastic Thief Running off with the Supposed Philosophical Eggecclesiastic-thief-running-off-with-the-supposed-philosophical-egg-w

Esquisse 1esquisse1-w

Esquisse 2esquisse3-w

Flower-Dance of Forgetfulnessflower-dance-of-forgetfulness-w

Hermes Carrying Wounded Eros on The Draco-Sapientahermes-carrying-wounded-eros-on-the-dracosapienta-w

Hierosgamos before Separationhierosgamos-before-separation-w

L’apparence de la Viellesse révèle Un Végétal Inchangeable à l’apparence Humainelapparence-de-la-viellesse-revele-un-vegetal-inchangeable-a-lapparence-humaine-w

Lion-Cow Leading Lost Pilgrimslioncow-leading-lost-pilgrims-w

Mirror-Mary Epiphanymirrormarie-epiphany2-w

Nativity of Numinon Beyond The World of Falsehoodnativity-of-numinon-beyond-the-world-of-falsehood-w

Phantasms of an Illusory Beingphantasms-of-an-illusory-being-w

She Does not want to Play this Gameshe-does-not-want-to-play-this-game-w

The Twisted Truth of The Immortality Dilemmathe-twisted-truth-of-the-immortality-dilemma-w

 

 

 

 

 

 

 


Terra Rotonda and Other Curiosities

A trip inside the hour glass…

left behind the mirror a few hundred years ago… somewhere

along a curved path joining a left ear with a right ear…

in the future of my mind.

 


Genus Classification by Altitude of Occurrence Vertical 5-Melos3-Automatronic

“A live movement performance exploring the spatiality of breath, cellular forms and permeability. Engaging the shifting contours of the performer, her materiality and navigation of the environment, this solo work will inhabit the space of St Laurence’s Church, excavating fragments of another world with a non verbal, non linear language and presence. Over five hours, this form will generate its inner world in parallel to Huw Morgan’s installation for organ+electronics, Melos III.

The Vertical series was initiated in 2013 by visual artist and designer Moi Tran and movement artist Alexandra Baybutt, with theatre director Ria Samartzi. Joining this iteration is artist Pascal Ancel Bartholdi, documenting the performance in this unique space, built in 1968.

The performance lasts five hours and is free admission – you are encouraged to come and go as you please. At 5.30pm a concert of new music for organ+electronics will follow, given by members of Automtronic (Huw Morgan and Michael Bonaventure)”

 

alexandrabaybutt.wordpress.com
automatronic.co.uk